Please read this first!
‘Hot to Trot’ is a mentored project for young choreographers and dancers, giving you an opportunity to choreograph or dance in a short work with support in all aspects of the application process and choreographic process. It is an invaluable experience to develop as a dance-maker and/or performer. You will not only receive mentoring support, but also publicity, administrative support, and rehearsal and performance venues.
This project is open only to dancers that were in ‘This Poisoned Sea’, and those in the Pre-Tertiary and Senior Programs.
After a busy year with performance projects, Strings Attached, Nervous and Versailles, Australian Dance Party is this year running a new weekly program focusing on creative practice and collaborative process, supported by QL2 Dance.
Janine Proost and Gabe Comerford in development of ‘Strings Attached’, August 2016
“CO.LAB” which will run on Fridays 10am-4pm at QL2 Dance Studio is:
“a space for invited professional dance artists and creative collaborators to engage in physical research, artistic exchange and processes experimentation.”
“Hello world, here is my first ever blog entry. It’s long and rambly, as things by me tend to be. Although the idea of writing something people might read makes me feel sick, as usual, the things Ruth and Gary make me do tend to teach me a lot. This has been a very helpful process of reflection and self-evaluation as I try to find my feet as an independent dance creator.”
Eliza Sanders, by Stephen ACourt.
I used the Curated Residency opportunity to produce and perform two shows of my new full-length solo work Pedal.Peddle. I created the work during the second half of 2014 while I was coming to the end of three years training at the New Zealand School of Dance. A few months before I returned to Canberra I premiered Pedal.Peddle in Wellington with the help of Battleground Productions.
For me, the purpose of this residency at QL2 was to learn about what it takes to produce and promote a show through my own production company, House of Sand, and to have the experience of remounting a work in a new space. I was also keen to bring what I had learned in my three years away back to Canberra, to share my experiences with the people who had supported me in my early training and my life before I moved.
I started dancing with QL2 when I was 15 and danced in Quantum Leap, Hot to Trot and On Course as much as possible from 2010 until I left Canberra for tertiary dance study at the Adelaide College of the Arts in 2015.
“Coming back to QL2 is so important for me because it reminds me of where and why I started and what I love about dancing so much.”
I came back to Canberra to show a film in On Course in December 2015, and received a lot of really positive feedback. Ruth was telling us all that we would be able to use the space at QL2 over the break and that was something that really interested me. I was really keen to keep experimenting with film and work with the other returning Quantum Leapers. Oonagh [Slater], Ryan [Stone] and I have been dancing together for years so it just seemed like a really normal thing to be dancing with them again while I was back in Canberra for Christmas. Continue reading
“It has been an energised start to 2016, with many projects on the go in the studio and out. During Canberra’s busy arts festival time I have worked collaboratively with awesome local artists creating ‘Autumn Lantern‘ for Enlighten and ‘Sprout‘ for Art, Not Apart amidst commencing QL2 classes and ‘Connected’ Quantum Leap at the Playhouse rehearsals.
‘Autumn Lantern‘ at Enlighten Festival, was a joy to create and perform amidst a handful of great artists; violinist Michael Liu, dancers Olivia Fyfe, Debora Di Centa and Susanna Defraia and guitarist Tyson Jones. The costumes had us dipped head to toe in white and trimmed with illuminating hooped skirts — a huge component for the success of this piece. Thanks to Hemmi and Tanya Voges! Continue reading
Alongside the chaos of creating for QL2’s All the things, this past month I have engaged in some rather out of the ordinary projects, involving some quirky external players and objects.
Its not often that a dance artist, or anyone for that matter would see themselves playing and moving with a drone. I get to!
Canberra-based but peripatetic dance artist Dean Cross takes up two Curated Residencies at QL2 Dance this month. In the first, he is working on the very first research and development phase for a new contemporary dance work choreographed and performed by himslef, and local dancer Jack Riley.
“Conceptually the work will be looking at our similarities and differences as people who are separated by ten years, whilst finding both in a shared and non-shared physical language.”